THIRD BORN cultivates long-term engagement with artists and fosters research-driven practices.
October 01 - November 11, 2026
Facilitating a dialogue between artists living, departed, working, and rooted in orbits surrounding Mexico City and New York City, the exhibition explores the “archiving machine” across its many iterations— from the mechanical to the corporal.
September 08 - September 26, 2026THIRD BORN is pleased to present Sara Sadik’s, Seul sous la capuche, an exhibition bringing together three video works—Ultimate Vatos: Force & Honor (2022), Khtobtogone (2021), and Crystal Zastruga (2023)—alongside a video still installation from Zehefology (2023).
October 01 - November 11, 2026Shaped by her engagement with literature, poetry and art history, Jungwonn Jay Hur’s new paintings are built slowly through layers of paint. Figure and setting blur into one another, and bodies and gestures surface gradually, as though coming into memory.
Hoja de Contacto 1, 1982
Chromogenic print
31.5 × 39.5 cm I 12.4 × 15.5 in.
Edition of 3 + 2 AP
Sarah Minter (b. 1953 Puebla, d. 2016 México City) was a pioneer of video art in Mexico. Her multidisciplinary practice encompassed 8mm and 16mm film, video, video installations, and documentaries, exploring the intersections of politics, the body, and the city through formal experimentation and an interest in the possibilities of the video medium. Minter began her career in theater in the early 1970s with the experimental group Ergónico, and in 1980 made her first Super 8 film, Adagio. Her work often focused on youth, marginality, social inequality, and political representation, notably in Nadie es inocente (1985–87), which documented the lives of punk youth in the outskirts of Mexico City, and Alma punk (1992).
SARAH MINTER
