FILM PROGRAM
The third iteration of Third Born’s film program THE ROOF brings a special night at the gallery. Film curator Oona Zyman and French artist Anna de Castro Barbosa present a 1.5h program of short films to accompany de Castro Barbosa’s solo show All that you touch, you Change. All that you Change, Changes you. on view September 5 – October 11, 2025.
BESO INVERSO — INVERTED KISS
You approach a mirror. Closer. Closer still. So close you almost kiss your own reflection.
Desire unfolds—yearning for intimacy, a beloved one, an image beyond. Something lingers on the other side.
There is an unsettling quality to the image. Shadows deceive, yet draw you in.
To kiss the mirror is to kiss only what you see.
So we go beyond—shadows move, light hits the frame—the mirror becomes a screen.
We invert the kiss: our obsession now turns to the films themselves, each unfolding before us.
And we invite you to surrender to the screen for an evening of short films, ephemeral tales, and a first glimpse of Anna de Castro Barbosa’s video work. – O & A
Anna & Oona Film Recommendations
Annex to Anna de Castro Barbossa´s exhibition "All that you touch, you Change. All that you Change, Changes you."
Angel’s Egg (1985) – Mamoru Oshii
Arm Extensions (1972) – Rebecca Horn
Boro in the Box (2011) – Bertrand Mandico
Buster’s Bedroom (1990) – Rebecca Horn
Corps étranger (1994) – Mona Hatoum
De Humani Corporis Fabrica (2022) – Véréna Paravel & Lucien Castaing-Taylor
Einhorn (Unicorn) (1970–72) – Rebecca Horn
The Cremaster Cycle (1994–2002) – Matthew Barney
Finger Gloves (1972) – Rebecca Horn
House (1977) – Nobuhiko Obayashi
Inland Empire (2006) – David Lynch
L’Âge d’or (1930) – Luis Buñuel
Les Jeux des anges (1964) – Walerian Borowczyk
Meat Love (1989) – Jan Švankmajer
Meshes of the Afternoon (1943) – Maya Deren
Milk (1998) – Andrea Arnold
Music (2023) – Angela Schanelec
Now You’re Inside Me (2024) – Laura Gozlan
Overflowing Blood Machine (1970) – Rebecca Horn
Paradise Widow (1975) – Rebecca Horn
Performances II (1972) – Rebecca Horn
Pickelporno (1992) – Pipilotti Rist
Pencil Mask (1972) – Rebecca Horn
Please Speak Continuously and Describe Your Experiences as They Come to You (2019) – Brandon Cronenberg
Saint Maud (2019) – Rose Glass
Sucking Machine (1996) – Laura Lima
The Bones (2024) – Jeremy Xido
The Piano Teacher (2001) – Michael Haneke
Trouble Every Day (2001) – Claire Denis
Un Chien Andalou (1929) – Luis Buñuel & Salvador Dalí
THE ROOF:
BESO INVERSO
A selection of films curated by Anna de Castro Barbosa & Oona Zyman
Tuesday, September 23rd
7:30pm
Photo by Mafalda Rakoš, Courtesy of Oona Zyman
Oona Zyman is a curator and art historian based in Vienna and Mexico City, holding an MA in Film & Screen Studies from Goldsmiths, University of London. Her work focuses on archives and time-based media in contemporary exhibitions. She recently co-curated PEACE NOW (2024) for Salzkammergut 2024 with Peter Noever Studio, featuring 28 international artists like Marina Abramović and Jenny Holzer. Oona has worked at the VIENNALE Film Festival, Krobath Wien gallery, and TBA21, contributing to publications such as The Commissions Book (2020). She also develops independent projects, including a residency with Nicolás Paris in Bogotá (2017) and co-curating Vienna’s XX Art Flânerie Festival (2021).
Anna de Castro Barbosa (b. 1995, Montpellier, France) lives in Montreuil and works in Paris. After studying art history, mediation, and museology at the Sorbonne, she entered the Beaux-Arts de Nantes in 2018, obtaining her DNA in 2021. That same year, she enrolled at the Beaux-Arts de Paris, where she earned her DNSAP in 2024 with distinctions from of Tatiana Trouvé and Dominique Figarella. Selected group exhibitions include Wallonie-Bruxelles Center (Paris, 2025), Beaux-Arts de Paris (Paris, 2025), Spiaggia Libera (Malmousque, 2024), Galerie du Crous (Paris, 2024), Galerie Strouck (Paris, 2024), Poush (Aubervilliers, 2024), and Beaux-Arts de Paris, Atelier Tatiana Trouvé (Paris, 2023). Awards include the Diptyque Scholarship (2024), Bredin-Prat Scholarship (2024), and Prix Dauphine for Contemporary Art (2024).
Photo courtesy of The Artist