THE ROOF:
What Remains: Echoes of Absence with Crystal Z Campbell & Onyeka Igwe
Program Curated by Oona Zyman
Wednesday July 23rd
7:30pm
FILM PROGRAM
A Meditation on Nature in the Absence of an Eclipse (2017–2020) – Crystal Z Campbell
VIEWFINDER (2020) – Crystal Z Campbell
Specialised Technique (2018) – Onyeka Igwe
No Archive Can Restore You (2020) – Onyeka Igwe
Like clockwork, the rains return to Mexico City during raining season. The sky opens, the city exhales. Water flows, time stretches, and in this seasonal shift, we begin to transform—discovering new rhythms of breathing and belonging.
This moment echoes through Continuous Dimensional Thorax, the current dual exhibition at THIRD BORN by Sidony O’Neal and Timothy Yanick Hunter. Like nature’s cycles, their work uses repetition and recombination to create temporal ecosystems where displacement sparks new ways of sensing and knowing.
Against this backdrop, THE ROOF presents its second session— What Remains: Echoes of Absence, featuring video works by Crystal Z Campbell and Onyeka Igwe. Both artists work within the unresolved: gaps in the archive, silences in history, bodies missing from dominant narratives. Their films do not restore what is lost, but reimagine what might emerge from absence.
Campbell’s A Meditation on Nature in the Absence of an Eclipse and VIEWFINDER remix the banal and discarded into images charged with quiet urgency. For her, the archive is haunted—an unstable site where the camera listens as much as it sees.
In Igwe’s Specialised Technique and No Archive Can Restore You, the body becomes an archive—vulnerable, rhythmic, and resistant. Her work confronts the architectures of colonial knowledge, tracing what remains when restoration is no longer possible.
Together, Campbell and Igwe invite us to dwell in the aftermath—to witness what has been buried or left unsaid. Their films suggest an archival practice not of preservation, but of reanimation—imagining futures where those never meant to belong might finally find space. Like the rains that renew the earth, their work calls us to embrace cycles of loss and growth, cultivating belonging beyond division in a time when conflict warns us how fragile that belonging can be. – Oona Zyman, Curator
Featured Films
Crystal Z Campbell
A Meditation on Nature in the Absence of an Eclipse (2017–2020)
Digital Video, 8’12”
Running like water, an eclipse streams glimpses of irreversible consequence.
Selected Screenings: MoMA (NYC), National Gallery of Art (DC), Flaherty Film Seminar, Cosmic Rays, DocLisboa, and more.
VIEWFINDER (2020)
Digital Video, 18’26”
Filmed in a Swedish spa town, VIEWFINDER explores belonging, monuments, and political gestures through movement and memory.
Selected Screenings: MoMA, DocLisboa, Reassemblage Collective, Squeaky Wheel, Cine Migrante, and others.
Onyeka Igwe
Specialised Technique (2018)
Digital Video, 7’
Bodies as archives—Igwe examines colonial legacies through embodied knowledge.
No Archive Can Restore You (2020)
Digital Video, 5’54”
An evocative meditation on archival gaps and the impossibility of full restoration.
Photo by Brandon Watson, Courtesy of the Artist
Crystal Z Campbell, a 2021 Guggenheim Fellow in Fine Arts, is a visual artist, experimental filmmaker, and writer of Black, Filipinx, and Chinese descent whose work centers the underloved. Through archives and omissions, Campbell explores public secrets—fragments known but rarely told. Their recent projects address historical gaps such as the 1921 Tulsa Race Massacre, Henrietta Lacks’ immortal cell line, political monuments and displacement in Sweden, a demolished Black activist theater in Brooklyn, and traces of US colonialism in the Philippines. Campbell’s films have screened internationally at venues including MIT List Visual Arts Center, SFMOMA, Walker Art Center, ICA Philadelphia, MoMA, and more. Their film REVOLVER won the Silver Hugo at the Chicago International Film Festival. Campbell’s first solo museum exhibition will open at the St. Louis Art Museum in Fall 2024.
Awards include the 2024 NYFA/NYSCA Fellowship, Creative Capital Award, Harvard Radcliffe Film Study Center Fellowship, Pollock-Krasner Award, MAP Fund, MacDowell, Skowhegan, Rijksakademie, and others. Campbell’s writing appears in Visual Studies Workshop Press publications, World Literature Today, GARAGE, and Hyperallergic. They are currently Visiting Associate Professor in Art and Media Study at the University at Buffalo and live between Oklahoma and New York.
Onyeka Igwe (b. 1986, London) lives and works in London, UK. Igwe is an artist and researcher working between cinema and installation, born and based in London, UK. Through her work, Onyeka is animated by the question — how do we live together? — with particular interest in the ways the sensorial, spatial and non-canonical ways of knowing can provide answers to this question. She uses embodiment, archives, narration and text to create structural ‘figure-of-eights’, a form that exposes a multiplicity of narratives. The work comprises untying strands and threads, anchored by a rhythmic editing style, as well as close attention to the dissonance, reflection and amplification that occurs between image and sound.Her works have been shown in the UK and internationally at film festivals and galleries. She was awarded the New Cinema Award at Berwick Film and Media Arts Festival 2019 and the 2020 Arts Foundation Fellowship Award for Experimental Film.
Photo by Sarah Bodri, via An.uk
Photo by Mafalda Rakoš, Courtesy of Oona Zyman
Oona Zyman is a curator and art historian based in Vienna and Mexico City, holding an MA in Film & Screen Studies from Goldsmiths, University of London. Her work focuses on archives and time-based media in contemporary exhibitions. She recently co-curated PEACE NOW (2024) for Salzkammergut 2024 with Peter Noever Studio, featuring 28 international artists like Marina Abramović and Jenny Holzer. Oona has worked at the VIENNALE Film Festival, Krobath Wien gallery, and TBA21, contributing to publications such as The Commissions Book (2020). She also develops independent projects, including a residency with Nicolás Paris in Bogotá (2017) and co-curating Vienna’s XX Art Flânerie Festival (2021).