Continuous Dimensional Thorax
June 13 - July 26 2025
Sidony O'Neal & Timothy Yanick Hunter

Timothy Yanick Hunter, Complex Organic Polymer I, 2025
In this dual exhibition, the practices of Sidony O’Neal and Timothy Yanick Hunter are brought into dialogue—not as oppositional voices, but as intersecting investigations into the structures that shape movement, memory, and material. Both artists explore the migrations of bodies, data, and ideas—across biological, technological, and political systems—probing how displacement and fragmentation give rise to new forms of knowledge and perception. Through repetition, recombination, and systemic logics—whether ecological, mathematical, or diasporic—they map complex fields of relation. The exhibition unfolds as a space of active propositions rather than fixed meaning: a charged environment where forms swarm, fracture, and recombine in ongoing acts of translation and transformation.
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Select Works

Timothy Yanick Hunter
Bug Test, 2025
Digital video, OLED Screen
3 x 3 x 3 cm
1.5 x 1.5 x 1.5 in.

Sidony O'Neal
CLOSED LOOP SWARM, 2025
Cast fine silver and machined spring steel, painted ramp
Dims variable

Sidony O'Neal
the crowd is gauche, but the swarm is elegant, 2025
Inkjet and thermopaste on uda gami, spalted albizia frame
15.24 x 33.02 cm
6 x 13 in.

Sidony O'Neal
VALENCE AROUSAL DOMINANCE, 2025
Cast concrete with inclusions, TPR
Each approx. 2.54–7.62 cm
Each approx. 1–3 in.

Sidony O'Neal
Bosses, 2024
Inkjet, heat sink, gampi, artist mat, spalted albizia frame
78.74 x 60.96 x 3.81 cm
31 x 24 x 1.5 in.

Sidony O’Neal
RENTOKIL, BITE, 2025
Kiss-cut vinyl on paper, spalted albizia frame
25.4 x 33.02 cm
10 x 13 in.

Sidony O'Neal
DEN + GUT, 2022
Modeling clay, rubber
48.26 x 22.86 x 7.62 cm
19 x 9 x 3 in.

Timothy Yanick Hunter
Complex Organic Polymer II, 2025
Dye sublimation fabric SEG Print, Aluminum frame
60.96 x 304.8 cm
24 x 120 in.

Timothy Yanick Hunter
Complex Organic Polymer I, 2025
Dye sublimation fabric SEG Print, Aluminum frame
101.6 x 71.12 cm
40 x 28 in.

Timothy Yanick Hunter
Thorax, 2025
Digital Multi Channel Video
480p
3min 20sec
“So, for a bit of context, the video is broken into three sections. A brief opening describing epigenetics and gene expression through generations. A second section with a Jamaican stew beef recipe - the significance being recipes as a type of information transfer across generations/diaspora. And a third scene describing the parts of insects.”
- Timothy Yanick Hunter
Sidony O’Neal (b.1988, lives and works in Portland, Oregon) Sidony O’Neal is an artist and writer working from interdisciplinary research and pre-to-post machine computing. O’Neal’s practice treats conceptual art and mathematics as related forms of industrial culture that have shaped human relationships to objects, labour, and technology over time. Recent solo exhibitions include Et al (SOFTMAX HARD HASP), SF; Lewis Center for the Arts (, The Pudding Butcher), Princeton University; Dracula’s Revenge (NOT TALKING UNTIL BAD COMPANY JOINS), NY; and Portland Institute for Contemporary Art (Enchiridion: Aisle, Spline, Resort), Portland, OR. Group exhibitions include ICA at Maine College of Art and Design (ENTER:) and SculptureCenter (In Practice: Total Disbelief), NY. O’Neal is the recipient of awards and fellowships, including the Oregon Arts Commission's Joan Shipley Award and a Hodder Fellowship at the Lewis Center for the Arts, Princeton University. In 2023, O’Neal was awarded a Hallie Ford Fellowship. O’Neal was recently commissioned by the Whitney Museum to produce INFANT’s (BANNED SKILLS), a new digital project for the museum’s Artport platform.
Timothy Yanick Hunter (b.1990, Toronto, Canada; lives and works in Toronto) is a multidisciplinary artist and curator. Hunter’s practice employs strategies of bricolage to examine non-neutral relationships relating to Black and Afro-diasporic experiences as well as concurrent strategies of decolonization. His approach alternates between exploratory and didactic, with a focus on the political, cultural and social richness of the Black diaspora. Hunter’s work often delves into speculative narratives and the intersections of physical space, digital space and the intangible. Hunter received his BA from the University of Toronto, and has been artist in residence at the Art Gallery of Ontario, Toronto; PADA Studios in Barreiro, Portugal; and Black Rock Senegal, Dakar. He was included in the 2022 Toronto Biennial of Art, and longlisted for the 2022 Sobey Art Award. He has exhibited nationally and internationally at Cooper Cole, Gallery 44, A Space Gallery, Toronto; Oakville Galleries, Oakville; Centre Clark, Montreal; 92Y, New York; ILY2, Portland; Art Gallery of Guelph, Guelph; and PADA Studios, Barreiro; among others. Hunter lives and works in Toronto, Ontario, Canada.
Installation Views
“For both O’Neal and Hunter, patterns form only to fracture; structures cohere momentarily before dissolving into new configurations. Migration—of materials, forms, and ideas—is not just a subject, but a mode of production: a way of working that prioritizes movement over fixity, relation over origin, and drift over destination. The exhibition resists closure, favoring the generative potential of fragmentation, translation, and return.”
- Phillip Edward Spradley, Cultural Producer.
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